Criticism of the first major Spanish series on Disney+

Candela (singer Aitana) wants a future where music is everything. She wants him so dearly that she seems to be the great goal of her life. Diego (Miguel Bernardeau) wants to become a boxer, a way to atone for the pain of a complicated life that sustains an almost violent drive to succeed. When both end up understanding that both of them can be part of the same story – one of love, of course – their lives will turn around. Rather, both will find the pieces they need to move forward, even without knowing where a strange path together will lead them.
Of course in the series The last one (available on Disney+), love is a complicated business, but it’s also an inspiring one. As in all romantic tales, the great trope of girl meets boy, is the center of all the action. But there is also something else. It is an almost innocent celebration of the idea of the great ideal of love, as the cornerstone of all great daily decisions. As simple as that? For creator Anaïs Schaaff, the story of two characters destined to fall in love runs through the idea of identity. Which is of course one of the great features of the production..
The last one
IN The last one, love is a complicated matter, but also an inspiring one. As in any romantic story, the grand trope of girl meets boy is the center of all the action. But there is also something else. It is an almost innocent celebration of the idea of the great ideal of love, as the cornerstone of all great daily decisions. As simple as that? For creator Anaïs Schaaff, the story of two characters destined to fall in love runs through the idea of identity. Which is of course one of the great features of the production. Because in reality, the very young lovers are not unknown faces to the general public. It is also no coincidence that it is a true story, the one that lies behind the scenes in this carefree, brilliant and full of good humor narrative.
Because in reality, the very young lovers are not unknown faces to the general public. It is also no coincidence that there is true history behind the scenes of this carefree, brilliant and humorous narrative. Aitana and Miguel Bernardeau, the main characters of the series, are the symbol of a new generation in show business.
At the same time, a loving version of why we fell in love and why love is much more than attraction. The screenplay by Anaïs Schaaff, Jordi Calafí and Joaquín Oristrell takes special interest in showing something more than a typical romance. It’s also a brilliant vehicle for metafiction which allows Spanish pop culture to have one of its great moments.
Once upon a time there was an odd couple
The first great series with a Spanish signature for Disney+, is a journey through one of the great entertainment stories of Latin American culture. Something that the series does not forget and gives its argument with more dimensions about the story it wants to tell.
the last oneto is an intelligent look at the significant influence not only of the main characters, but to its weight in the world of national entertainment. Instead of forgetting that Operación Triunfo star Aitana and actor Miguel Bernardeau are an obsession for their followers, they reinforce the public gaze. It is the small nuance that gives Candela and Miguel a new dimension.

What it does, despite how stereotypical its story and conflicts can sometimes seem, be an honest experiment, with important solidityz. After all, the relationship between the two actors has been a source of rumors and interest in the entertainment world. So his version for fiction is like a little fold of that aftermath. A journey through the same story that the audience thinks they know and that in The last one, is a journey through a believable love story. But is it because Aitana and Miguel Bernardeau have a consolidated relationship or because the series manages to explore contemporary love without major complications?
Who are we beyond love? Let Ultima try to have the answer

The argument does not make it clear and it is your best decision. For fans, there is another facet of a love in the public eye that reaches relevance in fiction. To any other viewer, The Last is the typical romantic comedy. Much more as both characters mature with difficulty and they become closer, real in their mutual gaze.
History knows that this is a story destined to become popular, to become the subject of conversation. Cool among those devoted to the couple off-camera. So he uses his real background as support for a story on the periphery.

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But ultimately, romance is the center of a very distinctive vision of metafiction and at the same time a collective obsession. Between both things, the story between Aitana and Miguel Bernardeau becomes a great look, not only at the way love is understood among the youngest. Simultaneous, is an honest journey into fame, celebrity, and how it can be more than just a complex phenomenon. Perhaps the point of greatest interest that supports this curiosity that opens the doors to national production at Disney +.